![]() It was a perfect choice for album opener, and it’s really obvious that whoever Teng trusts her sequencing to takes great care in their job. The very first notes of the song tell you that what’s in store is a departure from what you’ve heard Teng do previously, and prime you to experience the tracks that follow. So blue blue caravan Won't you carry me down to him soon Blue blue caravan Won't you drive away all of these tears For my true love is a man That I haven't seen in years He said, 'Go where you have to For I belong to you until my dying day' So like a fool, blue caravan I believed him and I walked away Oh my blue blue caravan The highway is my. ![]() It is, to me, a wistful album–something I’ll talk about more later today–and “Blue Caravan” does an excellent job of establishing that mood from the outset. Instead, focus shifts to strings and wind instruments. DTTN is, sonically, very different from Teng’s prior two albums–while the piano is still present on nearly all tracks, it isn’t the focus of the arrangement to nearly the extent it was on Waking Hour or Warm Strangers. Vienna Teng - Copenhagen (Let Me Go) (SATB) Hymn of Axciom. ![]() It’s something that, perhaps, is not as relevant with the rise of digital music and increased emphasis on single sales rather than albums, but it’s an area of album production I’ve always really appreciated.ĭreaming Through the Noise, as an album, is really well-sequenced, and in particular I think “Blue Caravan” does an excellent job of establishing tone. Vienna Teng - Blue Caravan (SATB) Green Island Serenade Variation. If you’ll permit me to be a nerd for a moment, I want to talk about track sequencing. ![]()
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